Give Me the Name of God

Manda slept until noon, but his physical strength did not recover much. His clone was still on the carriage, consuming his physical energy every minute and second.

Yorden woke up Manda. He sat beside Manda's bed, his curly silver hair falling on Manda's face.

Manda opened his eyes. If it weren't for his lack of strength, he would definitely scream.

Looking at this shy and nervous young man, Yorden really liked him a little bit, but it was a pity that he couldn't hear Manda's thoughts.

Damn sissy, what are you doing so close to me? Manda cursed in her mind, avoided Yorden's silver hair, put on her clothes and sat up.

“O messenger, it’s time for you to send me the blessing of the Lord.”

Manda nodded: "I want to pray for you. I have to go to the carriage to get the statue and candles first."

"I have all these things," laughed Yorden, "and I have a church in my castle."

"I know you are a devout believer, but my statues and candles carry the Lord's holy light, and ordinary things cannot replace them."

Yorden shrugged and without any obstruction, Manda followed the waiter to the stable and got into the carriage.

Only when the distance was no more than ten feet, Manda could withdraw the clone. When the clone returned to the body, Manda breathed a long sigh of relief and felt like a heavy luggage was lifted from his shoulders.

Old Yaman took out a stack of parchment from his arms and stuffed it into Manda's hand.

Manda was not in a hurry to see, he knew that Old Yaman had succeeded, and the big crab did not disappoint him.

Next, he had to follow the waiter to pray for Yorden. Yorden and Leikean seemed to be very idle and had been waiting in the church early.

There was no way, the scenes had to be done, Manda knelt in front of the statue of the Lord of Divine Punishment, thinking about the process of praying.

If he prayed like an ordinary God's Punisher, it seemed inconsistent with his divine identity. Looking at Yorden's expectant eyes, Manda spoke his mother tongue again.

"Great Hermes, please look here. The spell of the God of Night is torturing me. It is sucking my divinity and my soul dry. Please protect me and let me get rid of this terrible spell." , please help me and keep this damn bitch away from me..."

Not long after, Yorden heard Manda's even and deep breathing.

"Is he asleep?" Yorden looked at Leike'an.

Leike'an shrugged and said, "Maybe he is listening to the Lord's oracle."

After sleeping on and off for a day, Manda finally regained some energy. After dinner, she returned to the room. Manda took out the parchment given to him by Old Yaman and smiled with satisfaction.

There are eight paintings in total. I don’t know whether they were painted by Old Yaman or Crab. Although they are not standard maps, they are very vivid.

The painting reproduces all the scenes in the tunnel with the movements of the crabs, looking like a comic strip.

The first picture shows a crab hiding under a flowerbed. Hearing Old Yaman's call, he dug into the tunnel with two huge pincers.

What language do they use to communicate with each other? Do crabs know what's going on above ground? Or can Lao Yaman direct the crab's actions at any time?

Manda was curious, but that wasn't the point.

The second painting is a scene in the tunnel. Judging from the painting, the tunnel is very spacious and the giant crab can easily turn around inside. There are also a row of fire plates on the walls on both sides, which should be lighting facilities.

The third painting is an upward staircase, proving that this is either an exit or an entrance.

The fourth painting is a room with walls on all sides, no windows, and one door. The crab in the painting did not open the door, but stretched its legs out through the crack of the door.

Since it is a room, it proves that this should be an authentic entrance. Cancer does not dare to open the door for fear of being discovered, but what is it doing with its crab legs stretched out?

The fifth painting returns to the tunnel, and the picture is basically the same as the third painting.

The sixth painting is another staircase, proving that we have reached the tunnel exit.

The seventh painting is a piece of grass. The giant crab caught a snake in the grass and was tearing the snake's body with its claws.

It seems that this painting was indeed painted by a crab. It must have been hungry and painted all the scenes of eating.

But then I thought about it, such a smart crab would definitely not draw such boring things, and this painting is very vivid, even the blood drops falling from the snake's body are clearly drawn.

Blood, Manda understood the crab's intentions.

In the last painting, Crab is lying on a huge willow tree, looking at the castle.

The amount of information in this painting is very huge. First of all, the castle in the picture is very small and a little blurry, which proves that the tunnel exit is far away from the castle.

Judging from the outline, the building layout in the picture is to the north of the castle, which proves the direction of the tunnel exit.

Finally, there is this big willow tree. Manda has seen this crab and knows its size and can bear its weight, which proves that this tree is big enough and can definitely be regarded as a landmark. With this information, plus the crab The blood stains left behind were enough to determine the location of the tunnel entrance.

It's hard for this crab that can only draw, it has to be recorded as a third-class meritorious service.

Manda strung these eight paintings together, drew a map, and stuffed the eight paintings on the Styx Island.

Worm took Manu and Ogg to join Manda's army a day ago. After Manda left, this army was commanded by Encia. Worm gave the paintings on the Styx islands to Encia, and Encia After reading it for a long time, I was confused. It wasn’t until I turned to the last map that I understood what Manda meant.

Tila said from the side: "It turns out there is a tunnel in Wisteria Castle, but what are the previous paintings for? The last painting is enough."

Encia shook his head and said: "The previous paintings revealed a lot of information. Take a look at this castle. There is a moat around it. Look at this room. This is the tunnel's exit, but this door may not be able to be opened. "

"Leave the matter of the moat to me. As for the door," Tiela smiled, "even if it is an iron door, it cannot stop Horna's divine power."

"Keep your voice down, or she'll slap you on the head." After making a few jokes, Encia was a little worried. Horna was responsible for patrolling and guarding the camp, but it was almost dawn and she hadn't come back yet. She wouldn't What happened?

Worm asked: "When will we send troops?"

Encia said: "We have to wait for news from Lord Sphinx. We must make sure the surrounding is safe enough."

"At most, wait until tonight," Worm said coldly. "Manda's situation is very dangerous. If she delays for a moment longer, she may die."

Tila shrugged and said, "When your Excellency left, you said you don't have to worry about him. And I heard that Count Wisteria is a gentleman. As long as your identity is not revealed, he shouldn't..."

"This is not what I said," Worm looked at Ogg, "this is the instruction of the great prophet."

At noon, the bruised Lion Girl returned to the camp. Encia said in shock: "Have you encountered an enemy?"

The lion girl nodded and said nothing. Moira said beside her: "It's my fault that I went late. I met a crazy woman and she saw our camp."

Encia gritted his teeth and said to the herald: "The whole army is setting off and marching immediately!"