Lord of the Silver Crow

(Induction... This typo is really outrageous)

Because the image of the crow is "black" and "unknown" related images, I have extended settings such as "dark night" and "mystery".

Ask a question. When you see, hear, and think of "dark night", what do you think of for the first time before you read my book?

In my own words, because I am addicted to science fiction works, the first thing that comes to my mind is "exploration", "unexplored" and then "unknown" and "mystery"...

At the same time, because of the opposing relationship between "dark night" and "day", I realize that it is related to "time".

When I was going to sleep at night, I thought of dreams.

Dreaming will always dream of things in the past, or even things in the "future".

After that, the three elements of "night", "dream" and "time" were connected together in my mind.

Do you know what my image about "time" was like at the beginning?

snake?

No, it's actually an octopus.

Because at that time I had already heard of the settings of "parallel world" and "branching world".

I was thinking, what does a person look like if you look at it from the perspective of time rather than space?

The past, present, and future are stacked together.

Every second is like a photo, stacked together for countless years, it is a long strip.

And if there are multiple timelines...

And my impression of "time" is always "time flows like a river"

As a result, when I think of time, it feels like a stream of water.

And because the "dream" in my mind is related to "time" and "dark night", I also think of the starry sky at night.

then.....

The image of "the river of time, the sea of ​​time" came out.

After that, about time-related creatures, I always felt that they should be like some kind of marine creatures.

Octopus, Atlantic sea **** slug, sea snake, and "Kang".

That's right, it's the Kun that turned into a bird.

However, humans, this kind of creatures that can enter estrus all the time at any time will always unconsciously think of something astringent.

Moreover, things like Kunpeng have a strong oriental image, so I didn't use it. Instead, I replaced them with siren and sea monsters from Greek mythology.

I always think that the best way to write fairy tales is the oriental elements, don't suddenly pop out a magician or something.

Swords and magic are written about swords and magic, don't suddenly pop out of a few people or something.

It’s not that I can’t watch the infinite flow related to the diverse world themes, I can accept the mixture of Eastern and Western elements.

In short, the hodgepodge subject matter can be mixed casually, it is not that hodgepodge subject writing will lead to reading and drama.

However, because of the experience of doing kp, when writing about beautiful women and handsome men, I can't help but let people show some curious characteristics.

What kind of eyes are raised like bugs...

Occupational disease is correct (hands out).

Because it used many old cases and abolitions of the Night Crow, the Silver Crow seemed to have many elements in common with the Night Crow.

However, the problem lies here.

The most core, of course, is the original setting.

In the setting of the Night Crow, the professional is the scum of the gods, and the blue blood is the bloodline wizard who deprives the gods of the power to cast a tower, and uses the remaining fragments to seal in the body to form a bloodline.

The "professionals" everywhere in Night Crow are actually the "materials all over the floor" that I prepared for the protagonist team in that core breakthrough system.

But later, Night Crow was changed to a game outside the world, and only the protagonist was alone.

The forty or fifty occupation systems that were originally set up in detail were rarely used in the end.

When writing Silver Crow, I was actually quite happy. After all, I felt that the abandoned cases of Night Crow could be reused.

It’s not difficult to put the cryptic upgrade framework into it.

My set of professional synthesis settings derived from Reality Gu's synthesis of Gu, as long as you reduce it a bit and delete a few professions, you can go straight into it.

It's just that it can't be used up.

Later, it occurred to me that although Mystery is the Kabbalah Tarot card, it did not make a fuss about the positive and negative sequence and the positive and negative Kabbalah tree.

I just did it.

However, it turns out that it is right not to do it.

Too much.

Forty-five career breakthrough systems have been changed into four or fifty paths. There are not too many settings, but it is difficult to write them all in a book.

As you can see, there are still many ways that are abbreviated in the past.

Originally, when I refined the Silver Crow setting, there were 22 ways for blue-blooded people and 22 ways for professionals.

But after thinking about it carefully, there are too many, even if every volume is full, it is difficult to fully unfold.

Moreover, although the number is large, if you compare carefully, many professions actually have many similarities.

It's a bit repetitive.

And, there is one more thing.

That is the mystery itself.

I really like this book, but because of the plagiarism in recent years.

Although from my point of view, these mythological elements are universal, because I know a lot of myths and history-related materials and know where these come from, but readers may not know, their judgment standards are inconsistent with our authors.

"Like it is" is not a joke, many people really think so.

After all, human cognition comes from experience and comparison, which is inevitable.

Just like Roman mythology and Greek mythology.

The Romans themselves have mythology, but their mythology is "structural", only structure and identity, that is, what kind of power symbolizes the **** **** and what kind of relationship does it have with another god.

What Roman mythology lacks is stories about specific gods.

That is what this **** has done, what has done, and what deeds he has.

The "Roman mythology" we are familiar with now is that when the Roman writers at the time wrote Roman mythology, because of the corresponding structure, they directly included the content of Greek and Egyptian mythology.

Even some of the deeds of Roman gods that existed were replaced by writers.

As a result, the current Roman mythology is a replica of the Greek mythology in people's first impression.

How to put it, thanks to the habit of doing kp, I explained in the first chapter where the sequence approach came from, this is the house rule magic change, etc.

However, although I like secrets very much, I don't want to be considered that my creative content comes from secrets.

Although my professional synthesis system was not invented out of thin air by myself, it did not come from mystery, but from Master Gu, and there were also many professions from dnd.

Therefore, I feel that "applying the secret sequence pathway system" is also directly written as a story.

An outsider brings a system of sequential pathways.

Fortunately, the setting of a diverse world, "foreign rules" is not abrupt to write.

So, when setting, I made one thing clear.

The system of "Sequence Path" is foreign.

Then, my setting was changed to one way for each tower to control the empire.

And Master Lu built 22 ways.

The former is "Masaki" (Tree of Life, Greek Sacred Tree)

The latter is the "inverse tree" (like Kabbalah tree)

There are many "meditation thoughts" in Night Crow.

The wizard’s "skill tree" is the previous Greek sacred tree setting.

Each wizard has its own set of skills, they have a variety of spells, these spells build a skill tree.

You should remember what the "Viscount Ashes" said.

Not a specific name, but a general "symbol".

These descriptions are descriptions of wizard spells.

These are positive tree correlations.

On the other side is the "inverse tree".

After Lu Xiu came to Glory, based on the "Phantom Tower", a whole cognitive race was used as a cognitive force, as an outline and as a bridge, and constructed 22 pathways, conceptualizing one professional after another. , Cognitiveization is stripped out and embedded in the "path".

Then, in this world of shattered order, Master Lu uses dreams to shape the temporary past, piece it together in time, and influence the adjacent era.

Step by step, Master Lu was connected with the high towers of the empire through the backup towers of the Phantom Tower.

Through the power of cognition, the two trees are connected.

then.....

Replace, merge.

However, I am quite regretful. The problem of writing skills and the length of the plot. Master Lu's "men" calculated the flames, the wizards, and each other. In the self-circulation of the chain of suspicion, they are facing themselves, others, All fate is on the verge of getting out of control and gradually self-destructed.

I have always adhered to a concept.

That is wrong is wrong, right is right.

I will not go to whitewash a guy who does bad things, saying that he is a good person.

I haven't written about bad protagonists.

On the contrary, it seems that every one of my protagonists is a bad person.

However, at least one thing needs to be clear.

From the author's point of view, it should be clear.

At the moment when they do bad things, they should know that when they were killed, when they were retaliated, they deserved it.

In theory, if you kill someone, then he should pay the price.

In practice, he did not pay the price for various reasons, such as strong power, strong ability, and failure to be discovered.

However, it is not possible to "normalize" just because "no price has been paid," and then correct the normalization.

Then give him a judgment of "It's okay to do this" and "It's okay to do this".

One of the most serious things in Chinese society is empiricization.

How to put it, because **** is normal, so **** does not matter.

Because **** is normal, it doesn't need to be handled.

When everyone regards this kind of thing as normal, the threshold will drop, leading to things that further cross the standard.

I may not remember the others clearly, but I remember the theory and practice of materialist dialectics very clearly.

The ethical decline of "normal=correct" has made me almost numb.

I don't intend to use the contents of the book to educate anyone, nor do I have such a noble idea.

Wrong is wrong, right is right.

Don’t think it’s “not weird” because it’s “normal” to steal or kill, because it’s “not weird,” and then it slides to “yes”, and then it slides to “correct” again.

Human nature is very complicated, and psychology is malleable.

"Thinking", "memory".

These are the names of Odin's two crows and the subject of my book.

When thinking and memory are affected, people's values, world outlook, and outlook on life will all be affected.

My book can also have my author to reveal the setting and reveal the truth.

But if there is an unverifiable and unfalsifiable world, what will happen?

I think maybe I will fall into a desperate situation of historical nihilism.

Although I have said a lot, it is just an informal speech full of errors and omissions by me, a writer of civil society sociology.

When you are involved in any topic in the future, if you plan to end, please remember to understand the source and development of the incident in many ways to avoid being misled and coerced into doing things contrary to your own ideas, which will lead to regrets at the end of the future event. and.

Although I don't know how long I can live, I hope that all book friends will be healthy and live smoothly.

Oh, by the way, the setting of "Glory", that is, "Glory Will" and "World Will", originated from Lacan's unconscious automata.

It is a philosophical concept.

Here, I would like to remind everyone that although philosophy may be useful for practical guidance, it is too prone to problems.

When writing Night Crow, because I was exposed to philosophy when searching for information, and there was no rigorous instructor to guide me, it led me to think about it for a long time before returning to my senses.

During that time, I was dizzy, and I could even say that I was going crazy.

If you want to get in touch with philosophy-related content, please be careful.

I didn't expect that the testimonial could be coded nearly 7,000 words all at once...

If the code text can have this speed