Qianwumei Also Wants To Be a Cartoonist

This day happened to be the day when the magazine of "Sci-Fi World" was resting. Guo Yingchun, the editor-in-chief who had been preparing to retire, became more lazy. He couldn't help but remember when he was the editor in charge. At that time, how could he have such a leisurely life? On statutory rest days, those who have to work overtime are the most important thing to have a good relationship with the cartoonist he is responsible for.

In the comics industry, the relationship between the editor in charge and the comic artist is very delicate. If both parties are novices, it’s okay. Maybe they can grow together, promote each other, and discuss the plot of each story in a harmonious atmosphere. In a sense, a comic work is the hard work of the cartoonist and the editor in charge.

The editor in charge must have a good check. In an exaggerated way, you can't let some willful authors drive all kinds of things in one sentence and turn their expressions into **, right? And don’t look at the freedom of speech in Greater China. There are some things that are too **** and can’t be painted, especially when it touches some sensitive thoughts. On the contrary, it doesn’t matter if there are only **** and dark pictures of curiosity.

Therefore, the editor in charge sometimes also plays the role of supervision. Most of the editor in charge will definitely not change the core plot of the cartoonist's story. They will only put forward some opinions, including business skills. Such editors are of course very popular among cartoonists. Welcome, after all, they can make newcomer cartoonists avoid detours.

Therefore, the relationship between the cartoonist and the editor in charge is the default unspoken rule. The only special case so far should be An Yi. Fortunately, she has never painted any sensitive works. In addition, the background is too hard, and only she can do it. Do whatever you want.

Probably it was once edited by An Yi, and it should be her brother An Li. After all, he was the first person to see An Yi’s new works every time. Sometimes while he was full of praise, he would also make some suggestions. An Yi thinks some of her opinions are good, so she will naturally revise it to make the plot even better.

However, not all the editors in this world have a good relationship with cartoonists. Some senior editors will be particularly impatient when they are in charge of newcomer cartoonists. They force the newcomer cartoonist’s head to draw in their minds. Comic works that can catch fire, everyone knows how many talented rookie cartoonists have lost their aura in that long-term oppression. The works that were originally bright and brainy have also been reduced to pipeline-like routines.

The cartoon industry in Greater China is so developed, and it has already summed up a lot of routines that make readers cool, just like the Hollywood standard commercial blockbuster in another world...

Now Mr. An An has developed so many genres, there are many comic editors who think they are smart, and directly let the cartoonists who are in charge of themselves to adopt the settings of Mr. An An. Of course, the name must be changed. Then it's simple, just follow that standard routine, don't look at the following people will complain, but some readers find it very enjoyable and very interesting.

Anyway, many aura cartoonists are really destroyed by such a responsible editor. For example, the deputy editor-in-chief Liu Xiaoli. When she was the chief editor, she was known for being strong. In the end, she didn’t have any. Cultivate a newcomer, but because she will deal with great cartoonists in particular, she is really smooth in the magazine...

The relationship between top cartoonists and responsible editors is even more interesting, because as long as you have a thick skin, you can use the responsible editors as servants. They, and once they are unhappy, they can completely do not stay here, and have their own masters, even if the pen name is bound, as long as they firmly believe in their own strength, then open the vest and paint new works, they can also be popular!

Facts have proved that An Yi, a mad demon in the vest, has exposed many of her paintings on the vest, and everyone is surprised to find that the reputation and sales of those works are not bad at all. This shows that An Yi's strength is indeed too strong. Even if there is no publicity, or even a new vest completely, she can rely on her hard power to achieve "the fragrance of wine is not afraid of the deep alley."

Anyway, top cartoonists are scarce resources, so of course the editor in charge has to coax like a grandson. At the same time, they are absolutely impossible to criticize the content of the comics. Who gives you such confidence in the editor? Since you are so good, why are you just an editor instead of devoting yourself to comic creation and becoming a top cartoonist?

Guo Yingchun is really tired and exhausted from her work anyway. The most important thing is that she is naturally tired. What a great opportunity before, An Yi is coming to the "Science Fiction World" serialization one step away, and she can't break her promise. Bar?

Even if she just talked casually in the live broadcast, Anyi still kept her promise very much. As a result, in such a situation, the two pig teammates completely let Anyi give up on "Sci-Fi World" and took advantage of this. Opportunity, I took back what I said casually. Fans were naturally very considerate of An Yi. They only felt that the editor and cartoonist of "Sci-Fi World" were really too arrogant. How could An Yi go there to suffer...

Guo Yingchun felt that if he were ten years younger, he might be furious and severely criticized Liu Xiaoli, who didn’t understand awe at all. At the same time, he would reject Xu Moumou’s manuscripts and what he painted, that’s it. This kind of work can also be published in "Science Fiction World", which makes people laugh.

It's a pity ~www.wuxiahere.com~ He is really old now, he has no ambitions, he is expected to retire next year, and he doesn't want to care about so much. Anyway, "Science Fiction World" has its specific loyal subscribers. Will not be impacted by other comic magazines...

When he thinks like this again, he holds a copy of "Qing Man Weekly" in his hand. There is no doubt that he just wants to see what the original work An Yi wanted to contribute to "Science Fiction World" is like.

He had to admire the overwhelming propaganda of An Yi’s works by "Qing Man Weekly" and some sensational slogans. Anyway, "Science Fiction World" is definitely not able to praise An Yi so much, even if she is indeed very good in the comics industry. This kind of publicity costs too much money and energy...

What is that sensational slogan?

This is a work that can subvert the worldview of all readers!

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