Rebirth of the Tech Madman

Chapter 670: Give away the best foreign language film award

After introducing the background setting of the Hong Kong police in the theme of DreamWorks TV series, in addition to the introduction of "Senior Brother Xinzha", which revolves around personal struggle and grievances, it also created the "101 Arrest Order" series around the story of the police solving the case. -79 Novel Network-

It is the general trend that DNA identification is widely adopted, and it is a good idea to put a soft advertisement in the TV series first.

Tang Huan's intentions may be easier to understand by using the relatively famous TVB TV series "Resolving the Injustice" and "Forensic Pioneer" as examples in the original time and space.

However, he has long been unable to have enough time to ‘fight’ large-length works like TV series and movies, and occasionally dabble in short ‘hard’ music songs.

So Tang Huan picked up his pen and described the ideas he thought of in a succinct manner on the manuscript paper, and then put it in the portfolio labelled "Xiangjiang".

After doing some trivial work of this kind, and taking a break, Tang Huan spent more than ten hours of travel time and came to Tokyo, Japan.

The subordinates of Japanese philosophers, Epson, EA, Taidong, Yamaha musical instruments... etc., come to greet them together.

Do they like flattery or want to show off a strong lineup? Of course not. The appreciation of the yen promoted by the Geinplatz Agreement is actually equivalent to sending a windfall out of thin air. A fire suddenly ignited in everyone's "chest". If you don't find a reason to get together, it will be difficult to express the "excited" emotion in your heart.

Tang Huan naturally saw the enthusiasm of his subordinates, and immediately responded to the public opinion and said: "Pack a high-end venue for dinner, everyone will have fun together."

Yaskawa Hideaki and others replied repeatedly: "Prepare now to ensure your satisfaction."

Tang Huan laughed loudly, "I am second, and the key is everyone's satisfaction."

Because of the special cultural atmosphere, the men in the Japanese workplace are actually ‘very’ depressing, so this is a gathering that does not distinguish between esteem and inferiority, talks about wine, and even puts on “waves”. very popular.

When Nakamori Famous Dishes and other artists under the Warner Group of Japan came on stage to perform, Tang Huan casually asked Taidong's president Akio Nakanishi, "How is the EA theme park there?"

In fact, because everyone attaches great importance to "business", it works perfectly. On the contrary, it is the "small things" that belong to the corners but also have unique functions. Tang Huan needs to pay special attention to it.

Akio Nakanishi straightened his back, and solemnly replied: "EA theme park is arranging a brand-new "Three Kingdoms" theme project. With the hot sales of the game "Three Kingdoms", and the "Phantom of the Tomb 2: Eight Formations" during the Christmas period. Released. It will definitely grab a lot of Disneyland business."

Tang Huan nodded slightly, "I heard that some of the props used in the filming of "The Phantom of the Tomb 2: Eight Arrays" have been shipped to the EA theme park?"

"The Three Kingdoms area that EA theme park is about to open, in addition to echoing the game "Three Kingdoms" as usual, is also closely related to the movie "Phantom of the Tomb 2: Eight Formations". Some of the elements involved, such as Zhuge Liang's ride Four-wheeled vehicles, Kongming lanterns, wooden cows, Liuma, Zhuge crossbows, eight formations, etc., are also quoted from the EA theme park, so some props were shipped from the door." Nakanishi Akio explained carefully.

"Then I'm going to have a look tomorrow." Tang Huan couldn't help but curiously said.

In line with shooting a major production movie. It is necessary to drive the idea of ​​economic development. "The Phantom of the Tomb 2: Eight Arrays" was mainly completed in the Yucheng area of ​​southwest China.

In order to create an epic feel, in addition to conventional items such as armor and weapons, DreamWorks also created some special items including wooden cows, Liuma and Zhuge crossbows based on folklore. Of course, these things are actually closer to toys, but they are not visible in the movie.

According to the plan, after the filming of "Phantom of the Tomb 2: Eight Formations" was completed. DreamWorks will use these props to build an amusement park in Yucheng. Unexpectedly, the EA theme park is the first to get a batch of resources.

Because Yucheng is far inland, when Tang Huan came to China this year, he did not travel thousands of miles to visit the class, so that curiosity has accumulated to a sufficiently strong level.

The richest man opened up the project "Phantom of the Tomb 2: Eight Arrays" with his mouth and a wave of resources. Hundreds of people rushed to work for it, and the authority and achievements displayed in it can be imagined. Tang Huan will inevitably worry about it no matter how indifferent, and the Three Kingdoms area, which is being prepared for the EA theme park, can just alleviate this emotion. .

...

The actual situation did not disappoint Tang Huan. He, who knew better about the Disneyland set, made a little comparison. I came to a certain conclusion that my own EA theme park has many advantages beyond.

After Dongbao and other Japanese film companies heard the news, they rushed over to ‘mix’ their faces in front of Tang Huan. People in Guyin’s circle have all felt that the Three Kingdoms fever is coming, and from the experience of the Phantom of the Tomb: The Wrath of the Dragon Emperor, there are also the sequel “The Phantom of the Tomb: Eight Formations” with participation of many Japanese artists. The performance will definitely be even more'glamorous', this is a business opportunity.

Tang Huan said with a joking'kiss': "DreamWorks' "Jing Wu Hero" just won a box office of 40 million US dollars in the United States. It is a record. Why don't you use it first. It's preheated."

The movie "Jing Wu "Door" starring Bruce Lee was originally shown in Japan. Tang Huan intends to make "'Jing' Wu Heroes" with the same theme, come to Japan to toss and see what interesting reactions will happen.

After initially understanding the details of "Jing Wu Hero", Dongbao did not immediately express his position, but tentatively asked: "How confident is that "Forsaken" that will win the Oscar for Best Foreign Language Film?"

"I didn't drive the Oscars, so how dare I guarantee 100%." ​​Tang Huan spread his hands, "I can only say, let's work hard together."

In order to increase the recognition of the Oscar in the hearts of audiences around the world, the Oscar for Best Foreign Language Film was born in 1947.

In the first few years, it was directly awarded to some excellent foreign films in the form of Oscar honorary awards, or to be precise, non-English films.

This state lasted for 9 years. Since 1956, the Oscar Award for Best Foreign Language Film became a competition unit, and the judging method was formally formulated.

Generally speaking, Oscars are awarded by professional committees, including the actor committee, director committee, etc., to vote for the shortlist. In the end, all members vote to select the winners.

But the final selection of the Oscar for Best Foreign Language Film is slightly different from the other Oscars. It is the responsibility of a separate selection committee. First, a small number of judges select the shortlist, and then members who have participated in foreign language film screenings are allowed to select the award-winning films.

It can be said that, compared to most popular Oscars, the Oscars for Best Foreign Language Films selected by a small number of judges have more room for ‘operation’.

For example, for a long time. The American Academy of Motion Picture Arts only invites each country to send a feature film to participate in the Oscars for the best foreign language film competition, thus forming the "recommend a film for each country" rule. This caused a lot of criticism.

After all, prolific European countries like France, Italy, and Spain often produce films that are enough to win several nominations, but because of this rule, they are limited to only one nomination at most.

Another sordid thing is that this system makes the films promoted by each country may be affected by politics or other aspects, such as failing to get the country's recommendation due to political factors. Or the chance to sign up is won by a certain director or a certain studio who has a more ‘door’ way.

Of course, those countries that have benefited from a small production of movies are the supporters of this system, because they can guarantee that they will fight against the prolific country.

In short, the general process is from getting a recommendation opportunity to getting into the eyes of the judges. Eligible for nominations until an Oscar for best foreign language film is released.

Judging from previous results, the winners belong to European countries that are prolific in films such as France and Italy. As for Japan, it was only in the honorary award stage at the Oscar for Best Foreign Language Film. They were won by "Rasho's Gate" in 1951, "Hell's Gate" in 1954, and "Miyamoto Musashi" in 1955.

If it has to be a little involved, Japan is the closest to the Oscar for Best Foreign Language Film Award. In 1975, "De Su Uzala" filmed jointly by Japan and the Soviet Union finally won.

In the past 30 years, although Japan has been nominated more than 10 times, it has never been able to embrace the Oscar for Best Foreign Language Film, which has been transformed into a competition.

It is not difficult to imagine that with the backing of strong economic strength, Japan's coveting for the Oscar for Best Foreign Language Film is growing day by day, but unfortunately it always hits a wall. If Americans don't buy it, they will be disappointed.

Under such circumstances, Tang Huan has repeatedly funded an independent film about Japanese orphans, that is, Japanese nationals or Japanese people who were abandoned in mainland China during the retreat and repatriation of the Japanese Kwantung Army in 1945, or Japanese-Manchu'Meng' pioneering immigrants. , Most of which belonged to the Japanese National Policy Immigration Program at the time.

You know, because of Japan's ambitions, the number of this group is quite substantial.

In 1950, the Japanese government counted 26,492 people staying in Northeast China, and until 1958 there were 22,187 people.

In 1959, the Japanese government promulgated the "Law on Special Measures for Non-Returned Persons", declaring non-returning persons who had no news in China as dead in wartime, issuing 30,000 yen condolences to their families and canceling them. Household registration.

To put it bluntly, the Japanese government has abandoned this group of people.

After the normalization of the diplomatic relations between China and Japan, the Ministry of Health, Labour and Welfare of Japan made a distinction. At the end of the Second World War, the Japanese were adopted by the Chinese during the retreat and repatriation from mainland China, and they were under 13 years old. Of Japanese are defined as orphans, and they are granted Japanese citizenship and assistance to return to their home country; and those over 13 years old who are Japanese “female” sex” who want to survive or voluntarily join a family in northeastern China are regarded as staying according to their own wishes. In the Northeast, the above-mentioned treatment cannot be obtained, because it is a "residual "women"."

In 1985, in March of this year, the Ministry of Health, Labour and Welfare of Japan formulated a set of "identity guarantor system" for the bereaved Japanese, stipulating that the bereaved Japanese must obtain the consent of their Japanese relatives before they can stay in Japan. However, due to various reasons, many people refuse to be "identity guarantors".

It is only 40 years since the end of World War II, and a large number of parties are still alive. Therefore, this issue still attracts high social attention in Japan.

In addition, even if the Japanese survivors can return to Japan through the ‘threshold’ set by the Japanese government, it does not mean that they will be able to lead a paradise life.

Obviously, due to the long-term living in China and separation from Japanese society, the ideology and values ​​of the bereaved Japanese diaspora were affected. In addition, they could not master the Japanese language ability and get used to Japanese life. Many of them lost the ability to work after returning to Japan.

At the same time, due to social discrimination and financial burdens, it was not accepted by Japanese families, and it also created a gap between Japanese families and Japanese families.

In short, the Japanese expatriates who have returned to Japan cannot receive assistance from Japanese families. They can only receive government relief money every month. They have a difficult livelihood and become the lowest level of Japanese society, and even become one of the gangs. Elements.

At the beginning, Japan encouraged its citizens to move to Northeast China to live in order to carry out colonial rule; now, it is ironic to these people who can rely on it and drag on it.

Tang Huan "kindly" planned to give Japan an Oscar for the best foreign language film to satisfy their vanity that was rapidly inflated because of their economic glory, but this theme is about to expose its scars!

For this film, Tang Huan made no little preparations, such as collecting material in China.

In particular, the filming of the film must take a Japanese perspective and stand on a Japanese standpoint to reflect deeply. This director candidate can be described as painstakingly. In the end, I chose an old Japanese film director, Masa Imai.

This person is a well-known figure of the Japanese leftist after World War II~www.wuxiaspot.com~, who is good at anti-war, anti-militarism, and social realism and other film themes.

He once won the Silver Bear Award at the Berlin Film Festival for his "Pure Love Story" in 1957, and later won the Berlin Film Festival Golden Bear for his "Bushido Cruel Story" in 1963.

Imai Masa, who is over the past few years, is not in good health. He had just had stomach cancer surgery in 1982. To put it bluntly, the future is not much.

Because of this, the old man didn't have so much scruples, and he took the script very happily, dragging the sick body, and blooming the final artistic light.

The selection of the Oscar for Best Foreign Language Film requires that the nominated film be released in the country or region from October to September of the following year.

Therefore, this "The Forsaken" has been in front of the audience for almost a month, and it has received unrelenting praise from the Japanese left-wing media represented by "The Asahi Shimbun". At the same time, the Japanese people are also discussing it, as if fanning. Slap in the face of the Japanese government.

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