Prisoner of Mystery Sequence

Agnes paused slightly, and the words in her mouth froze slightly.

"What's the matter, Agnes?" asked the mother.

"Ah, Mom, it's nothing, I just remembered something." Agnes responded with a smile and said.

Mother nodded and didn't ask any more questions.

Agnes closed her eyes slightly, and thought carefully about the reason why the potion was digested just now amidst the slight jolt of the carriage.

Someone told others about their performance at the previous prom?At this point in time, it should not be the narration of the members of the dance party to their family members, they should not have returned home.Then it is very likely that it is the mutual communication between the members of the ball, or the mutual communication between the members of Durant Marquis's family.

Leonardo Durant told the Marquis Durant that the communication between Agnes and him was a very likely thing to happen, and the communication between himself and Leonardo was reported by the Marquis Durant. It's normal to feel a little crazy.

......

"June 1328, 5"

"I tried many different ways of acting at the ball today. Through their feedback, I can roughly deduce a rule - the greater the difference in worldview with the other party, the more potions that can be digested after receiving the feedback."

"Of all the dancers I danced with today, the best feedback I got was from Leonardo Durant, because I deliberately showed that my subconscious didn't treat people like people in this world. The gods are full of awe, and even just thinking about the gods for a little bit makes me feel that I am blaspheming the gods. This is undoubtedly the biggest difference between my worldview and that of people in this world.”

"This makes me unable to help but have a guess. Combining 'prisoner' with 'madman', or even 'werewolf', can it be considered that the 'prisoner' sequence is gradually moving away from its own ethnic group. The role of 'prisoner' makes this The Extraordinary of the sequence is far away from other people in space or it can be said that the situation is far away from others, and the performance of the "madman" appears to be different from other people in spirit, and when it comes to the stage of the "werewolf", the Extraordinary of this sequence appears to be alienated. Humans are the same species.”

"This is a stage in which the identity with the human group is gradually decreasing. This process is like gradually reducing the sense of identity of the Extraordinary in this sequence. Even if it is not a heterogeneous pathway, after being promoted to a demigod, it will have certain characteristics of a mythical creature, and it will no longer be a complete human being, but the heterogeneous sequence is particularly obvious."

"If this is the case, then how are these related to 'the mind is the prisoner of the body, and the body is the prisoner of the world'."

"Looking at it this way, this process doesn't seem to be deeply related to desire. But if there is really no connection, how did the struggle between the Temperance School of the Rose School and the Lust School come about?"

"Similar to the inferences obtained before, in these three sequence levels, it is also a process of gradual release of desire and gradual erosion of reason. The desire of the 'prisoner' is restrained and suppressed, and the 'madman' begins to try to explode desire, sacrificing reason Unleash power, while the 'wolf man' is easily controlled by desire, but at the same time becomes more powerful when he loses his mind."

"Looking at it this way, the 'Prisoner' sequence is very progressive, and it's completely approaching an inhuman monster controlled by desire. No wonder many Orthodox churches are full of vigilance against this sequence."

"But there is a problem, why is the 'werewolf' full of killing and bloodthirsty desires? Even from the perspective of biological instinct, killing has never been a biological desire, but just a way to obtain enough nutrition for survival means, the most instinctive desire of a creature should be to survive and reproduce.”

"Many times, killing and bloodthirsty contradict the biological instinct. This is more like a special curse for the Extraordinary of this sequence to completely no longer treat humans as their own. It is always impossible to suppress the killing and bloodlust during the full moon. The "werewolf" of blood desire will gradually be cruel and distorted, and the loss of the feelings that normal human beings should have is probably due to the gradual loss of identity with their original human identity. If you combine the later "living corpse" and "wraith", The curses of these two sequence levels regard human beings as their own food, but they are not necessary. From this point of view, the "werewolf" is a very important turning point. At this level, can you maintain your identity as a human being? is an important difference in the way the 'Prisoner' sequence is played differently."

......

Agnes walked into the rehearsal room in a dress. This was the last rehearsal before the concert, and the concert will officially begin this afternoon.

Mr. Conti needs to conduct two pieces in this concert, a symphony and a concerto.

The symphony was composed by Mr. Conti himself, which is the piece that Agnes heard at the Musicians Association on the afternoon when Agnes left the church underground; for the concerto, he was only conducting the orchestra, and Mr. Accardo was the soloist. By.

Well, yes, Mr. Accardo has a concerto to play besides her two pieces in this concert.

The symphony that Mr. Conti will play is called "Symphony No. 20 in E-flat Major" by Mr. Conti himself. It has four movements and is about 30 minutes long. It is magnificent and large-scale.

The concerto is a violin concerto in E minor, which is also called "Moon Night" by Mr. Accardo. The whole work is even and neat, full of soft and romantic emotions, with an aristocratic atmosphere, soft and solemn.The whole piece of music consists of three movements, and the approximate duration is about 30 minutes.The composer's name was Klinsmann White, and Agnes had never heard of this name among the nobles of Fenepot City, but based on the style of this piece, Agnes was sure that the composer is a nobleman.

These two pieces are the 5th and 3rd pieces of the concert respectively, and the emotions are very different, and there is only a 20-minute caprice adjustment time in the middle.Agnes is actually very worried about whether Mr. Conte can adjust his emotions in such a short period of time, from soft and romantic to full of pride in time, this is a great test for any conductor.

But when Agnes asked Mr. Accardo, he expressed his confidence that Mr. Conte could perfectly complete the conduct of the two pieces, and then told Agnes that she should be worried that she needed the first one. "Morning by the Lake", instead of worrying about things that don't need to worry about here.

Yes, Agnes's "Morning by the Lake" was chosen as the opening piece for this concert, which undoubtedly put a lot of pressure on Agnes, although she did not play it herself.