The Creator of the Second Dimension

　　 Spring Festival, family reunion.

　　 Xu Rui and Yi Qianqian took their daughters and returned to the Yi family in Jingping. They spent New Year's Eve with Yi Qianqian's parents and brothers.

　　 After only a few days of rest at home, Xu Rui immediately devoted himself to work.

　　 The production of the special episode of "From the Abyss" is coming to an end, and he began to prepare for a new animation.

As I said with Li Ruoxuan and others before, the story of the new animation is about animation production, but the simple original painting and the animation process are actually relatively boring. Therefore, the story will be expanded from multiple aspects, including execution production, original painting, 3D, script, voice actors and other positions.

　　 This is actually equivalent to a group portrait drama. The screenwriter and director have strict skill requirements. If you don't grasp it well, it will easily lead to a messy plot, with no focus, or some characters become instrumentalists, and their personality is uncertain with the plot.

　　 Of course, Xu Rui doesn’t have to worry about this, because there is actually an animation that portrays many charming characters while portraying the industry. He only needs to make certain localized modifications and improvements.

　　 The scripts for the first three episodes were soon released. Xu Rui spent almost half of the Spring Festival holiday revising the scripts and thinking about the storyboard.

　　 When I returned to Ningjiang, I suddenly got more work.

　　 "Boss, this niche setting should be fine."

　　 The design department worked overtime around the Spring Festival to design the entire ecological structure of "Monster Hunter".

　　 This is not only the design of monsters. In addition to large monsters, there are also small monsters, plants, and terrain. These are a whole and are inseparable.

　　For example, the ancient tree forest map has more than a dozen areas. Players walk out of the initial camp and see a plain, where some herbivores and low shrubs live, there are rivers and shallows.

Moving on, after entering the dense forest with higher terrain, you can see small carnivorous animals. Some large monsters in low niches also live here. In humid places, mushrooms grow and you can see some mushrooms that feed on them. Herbivore.

　　The closer to the center of the map, the higher the altitude, the stronger the monsters that appeared, the herbivores gradually disappeared, and carnivores were replaced by carnivores, and some rare plants also began to appear.

　　 Located at the top of the ancient tree is the nest of the fire dragon. It is the top of the ancient tree forest niche.

In addition, the design team also carried out the design of weather and time. Day and night, morning and evening, the corresponding scenery is different, and even the appearance of monsters is related to these, and the storm in the ancient tree forest is in the bottom area. All he felt was ordinary heavy rain, but at the top, he could face the thunder, which was quite impactful.

　　 The entire map is hierarchical, from plants, animals, and terrain, forming a complete ecological structure. Even if this place really exists in a corner of the world, people would be convinced.

Outside the ancient tree forest, the wasteland is composed of ant nests as the main body. It has a large desert area. The land coral highland that was once the ocean is located below the land coral highland. It is made up of monster corpses and is full of harmful gases. The valley, and the place full of ancient dragons, where there are dragon crystals in the lava area.

　　 According to Xu Rui and others' initial vision, these five maps are planned.

　　Of course, the design department has a lot of ideas. Some of the ideas that can't be adopted into the existing maps, and really good ideas have not been abandoned. Instead, they are collected and reserved for future use.

　　For example, the volcanic lava terrain corresponding to the land of the dragon crystals naturally has snow mountain icefield terrain. Some people think that some areas with mixed terrain can be designed, but due to the production cycle, these designs are temporarily hidden and reserved for future DLC.

　　 confirmed the map design, Xu Rui nodded slightly.

　　 "It's pretty good, we can move on to the next production link."

　　 After the design is basically completed, it is the design of the artists and the construction of the underlying code. This process will last for several months, which is considered to be a long time-consuming part of the production.

　　 In the area of ​​art design, Holofer will check the entire process. The design of monsters generally starts from three aspects: monsters in reality, monsters in imagination, and monsters that represent natural forces.

For example, the mud ichthyosaurs that appear in the wasteland are inspired by the mud loach, and can move freely in the water and mud. The fire dragons are more like the evil dragons in Western mythology. As for the ancient dragon species that appear in the late game, most of them are The forces that can control nature, such as storms and thunder, are the embodiment of nature.

Due to the experience of many previous games, Holofer's art design is based on a relatively realistic style, with many rough elements, scales, hairs, and vicious monsters, which constitute the main artistic style of "Monster Hunter" .

　　 While working intensely in the game department, there is also a group that is doing content that has nothing to do with "Monster Hunter".

　　......

　　Ningjiang Beishan is located near the city center. Beishan consists of the main peak and several secondary peaks. It is located on the top of the main peak. It is not a scenic spot, but an observatory.

　　 Beishan Observatory is one of the most famous observatories in China. Five years ago, Beishan Observatory discovered a brand new comet and named it, which made it famous before ordinary people.

　　 The head of the observatory is Dr. Chen who graduated from Ningjiang University majoring in astrophysics. He is just forty this year and he is still very young.

　　 In February, just after the Lantern Festival, Dr. Chen drove to the observatory as usual to prepare for work.

Although the work of the observatory is to look at the stars, it is not just to look at the stars. The research institute usually has some topics. For the topics, the people in each research group will get a certain amount of time to use the astronomical telescope~www.wuxiahere.com~ In order to observe the universe, in addition to this, the nautical calendar and other calendars also need the observatory support.

　　Even when there is no time for the research team to study, the various astronomical telescopes in the observatory still need to make routine observations of the sun and other celestial bodies.

　　Simple but extraordinary, this is Dr. Chen's definition of his work.

　　 I greeted a few students. Dr. Chen routinely checked the data recorded last night. Just halfway through the reading, he received a call.

"Ok?"

　　The call is from the Associate Dean of Ningjiang University, who is also the PhD supervisor of Dr. Chen.

　　 "Xiao Chen, is your observatory busy with work lately?"

　　 The deputy dean greeted him for a while, and then said his purpose.

　　 "It's like this. I have a project here that needs the support of the observatory. See if you can pick it up for me."

　　 "What project?"

　　 Dr. Chen can't figure it out. If it's a general postgraduate project, there is no need for the deputy dean to call in person. This sounds more like some other project.

　　 "Well, it's making a movie."

　　 Hearing what the deputy dean said, Dr. Chen became even more confused.

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