The Creator of the Second Dimension

　　 In April, spring returns to the earth.

Days of warming make people feel as if they have suddenly entered summer from winter, but the sudden drop in temperature drags people back to the cold winter. From time to time, there will be magical scenes of down jackets and short sleeves on the street. The number of people wearing masks has gradually increased and changed. The impermanent weather makes people love and hate.

"Iron Sorcerer" was broadcasted at the end of March, and its ending is popular. The martial arts director has no works this season. However, his new work already has a promotional image. It is a superhero-themed animation. The name is "Wolf With the cat.

　　 No more specific information has been disclosed, but people are speculating about how wonderful a superhero, an old theme, can be performed under the hands of a director of martial arts.

　　 In addition, the April animation is also worth looking forward to.

　　 Rainbow Media’s "Black Exorcist" is a collection of gorgeous Gothic elements, adapted from the popular comics of "Weekly Twenty-Four Frames", which has attracted much attention.

　　 Love Craft Animation’s "White Waves" is an animation about mercenaries and killers. The violent and aesthetic scenes in the trailer are very addictive.

There are also such as "Guai" by the water fish animation, which is an animation drawn in a classic ink-and-wash style. It tells the story of monsters. The unique art style attracts attention; the sports animation "Basketball Boy" of Mushroom Film is adapted from "Weekly." The famous basketball comics of "Young Frontline", the original is currently one of the pillars of "Weekly Young Frontline"; the first animation "Throne of Thorns", the original animation propaganda song is extremely stunning, and the setting is full of fashionable values.

　　 A total of 36 animations are broadcast in April, which is 50% more than the 20 animations in January, making animation fans completely busy.

　　 "Have you watched last night's "Strange"? That story is a bit creepy when I think of it now."

　　 Tao Ran from the original animation group stretched his waist and asked casually.

　　 "Ah, that's it, indeed, it's the human heart in troubled times that is more terrifying than monsters."

　　 Gao Senmiao, who was posting the positioning pins, immediately replied that after the animation of "Soul Eater: Zero", Li Ruoxuan came to the editorial department a lot less, and Gao Senmiao became one of the active people.

　　 "Xu Yang, did you watch it?"

　　 She poked Xu Yang next door again. The thin boy paused before looking away and said.

　　 "I am not interested in this subject matter."

　　 "You don't dare to watch this kind of supernatural monster subject matter."

　　 Gao Senmiao teased, and then looked towards Xu Rui.

　　 "Boss, have you seen it?"

　　 Xu Rui heard the words, put down the manuscript in his hand, and replied.

　　 "Look, honestly, I really admire the water fish animation. I even dared to use the style of ink and wash to make the animation, and it was successful. I really can't underestimate any company."

　　 After he finished speaking, he checked the manuscript in his hand again. This is the performance draft of Part B. In the 45-minute animation, this is the second half, twenty-two and a half minutes of the animation content.

Since it is a medium-length animation, Xu Rui uses the first to determine the script, then draw the storyboard of the entire animation, and then complete the performance draft of Part A, give it to the next staff to produce, and continue to complete Part B. Performance draft.

　　 This is also because Xu Rui knows well, so he can control a forty-five-minute animation with a complete story.

　　 "The performance of Part B is finished. Let's go to the conference room for a processing meeting in half an hour."

　　 Xu Rui said, looking at I Asa who was drawing the original painting.

"Ok."

　　 Iasa Asahi didn't stop, but nodded slightly.

She has three screens, the middle one shows the picture being drawn. This is a scene of a female doctor in a white coat walking through the corridor. On the left are some pictures of reference materials, and on the right is the scene that has been basically designed. .

　　 If this scene is not observed carefully, it is easy to mistake it for a photo. If you look carefully, this is exactly the scene in the laboratory of the Forensic Medicine Research Center of Ningjiang Medical University.

Different from simply taking photos, Xu Rui used photography to let Deng Shixin create a 3D model of the laboratory, which almost perfectly restored every corner of the laboratory. Painters can use this model to refer to the past laboratory from various perspectives. While avoiding painting mistakes, it also enhances realism.

Xu Rui’s requirements for this animation are different from those of "Soul Eater: Zero". If "Soul Eater: Zero" is a purely commercial animation, full of various animation techniques, then this forensic animation is even more. For realism.

　　 Xu Rui’s standard is a photo-level background, realistic characters and light and shadow, and spare no effort to do the best.

On the one hand, with the funds provided by the above, he is not bad at all. On the other hand, he also wants to actually squeeze the strength of the current phantom film employees to see how far the current phantom film animation can complete the work. An animation lays the foundation.

　　 Half an hour later, in the conference room, Xu Rui took out part B's performance.

　　 "This scene is a bit troublesome, you may need to find some reference videos."

　　 "Will it be better to use another method to move the mirror here?"

　　 "The number of sheets in this paragraph may need a lot, UU reading www.uukānshu.com is a climax plot after all."

　　 There was a series of discussions in the conference room, mainly about painting negotiations. Xu Rui decided which parts needed more original paintings to focus on acting and which parts were less important.

　　 "Speaking of this, the ending song is inserted here at the end while the plot is still going on. It has a movie style."

　　 Yanzhe said that he had worked in a film and television company for a few years, and he had also been exposed to a lot of film production.

　　 "Yes, in general, the ending song of an animation is a dual-purpose card in order to save money. There are few such works that use the ending song as the background music, but the plot is still going on."

　　 Cheng Ke nodded, then looked at Xu Rui.

　　 "Is there any choice for this ending song? Judging from the current performance draft, this song should have a certain sensational ability, the melody should be very beautiful, and it won't be overwhelming."

Xu Rui’s "To Me in Ten Years Later" became a KTV standing track after the broadcast of "Soul Eater: Zero". It was popular among young people. Cheng Kewei didn’t feel Xu Rui’s endorsement of this animation at all. Qu has no idea.

　　 "Yes, I have completed the preliminary composing work, and the rest is to arrange the music and find a suitable singer to sing."

　　 Xu Rui nodded. There was originally the most suitable song. Naturally, he didn't have to worry about it. He only needed to modify the lyrics slightly to suit the plot.

　　 "Hey, is it true? So you know how to write songs, boss?"

　　 Gao Senmiao opened his eyes wide and leaned out slightly.

　　 "If you don't dislike it, I can listen to you later."

　　 Xu Rui smiled, and then said.

　　 "The title of this song is "Lemon"."