The Fantasy Entertainment Empire

Now Dimension Entertainment is no longer a nobody. The success of the three works "Full Time", "Task Force", and "Evolutionary 4.6 Billion Ensemble" has allowed them to successfully establish their own reputation in the animation circle.

On the one hand, in front of the audience, the concept of "dimension products must be high-quality products" has been spreading. At the same time, this is also a "personal design" that Wu Jingtong's marketing department is focusing on creating.

The company also needs 'personal design', which is the so-called corporate image.

And once this corporate image is formed, it will bring huge wealth to Dimension Entertainment.

More typical, just like the past Blizzard. It is self-evident that the so-called Blizzard product must be a high-quality product, which has brought them great benefits. For example, like HBO TV station, the American dramas they produce are naturally a symbol of high-quality products.

Of course, for the construction of this kind of corporate image, it is definitely not enough to just look at the publicity, and the basic works are the foundation.

In addition to the reputation in front of the audience, there is another point that cannot be ignored, that is, the reputation in the industry.

This is of great help to Dimension Entertainment in attracting industry talents.

For example, companies such as Blizzard, UB, and EA are attractive to game talents, such as Pixar’s attraction to animation talents...

'Dimension Entertainment' has not yet reached this level, but at least it has established some reputation, and recruiting people has become easier.

At least, there will be some people with good skills who will take the initiative to submit their resumes to Dimension Entertainment.

That's a pretty good thing.

The art team is bound to expand further.

Now, it is barely enough, and it will definitely not be enough when the second season of "4.6 Billion Ensemble" and the fourth season of "Task Force" are about to start production.

Anyway, there is no problem of not being able to use the hired artists.

...

When the crew of "Fantasy Three Kingdoms" was being built, the broadcast progress of "Evolutionary 4.6 Billion Ensemble" also reached a climax.

The number of broadcasts of online drama series is maintained at 6 million in a single episode. The current total broadcast volume has reached more than 60 million, and judging by this posture, it is a certainty that the final broadcast volume will reach 80 to 90 million, and it may even be too late. Billion is also possible.

In the broadcasting of the children's channel, the ratings are stable at around 1.5, which is also a pretty good result.

The subsequent second and third rounds of network broadcasting rights and TV broadcasting rights are currently in the process of negotiation. Counting the on-demand share of the first broadcast...

According to Ye Jiayi's estimate, the income from this money can exceed tens of millions.

At the same time, the specially approved 10,000 yuan per minute subsidy for domestic animation is about to arrive slowly.

After calculating the various incomes, at the very beginning, the expected income of 20 million yuan for "Evolutionary 4.6 Billion Ensemble" has already exceeded it.

The most important thing is that Dimension Entertainment has almost achieved a big victory in the authorization of peripheral products.

DVDs and commemorative editions are already in the process of being produced, and they will be released after the premiere. At the same time, authorizations for various toys and peripheral products are being sold out.

It has to be said that the popularity of this part of the surrounding market is largely due to the hot results broadcast on TV stations.

Although the price of selling animation to children and science and education channels is not high, the audience has been expanded a lot at once.

According to the latest report given by the marketing department, the work "Evolutionary 4.6 Billion Ensemble", relying on subsequent copyright sales, will finally recover the estimated income of 60 million within one year, so the problem is not too big.

In this way, in the first season alone, the revenue created by "4.6 Billion Ensemble" has already reached the revenue generated by "The Task Force" for three seasons.

There is an objective basis for "4.6 Billion Ensemble" to create such a large market value. Its scale and style are suitable for children to watch, unlike "Task Force", where the scale wanders on the edge of the rules, and accidents are easy to happen if it is bigger.

But even so, it has to be admitted that the value brought by Ye Jiayi's joining the company is indeed huge.

With her hosting, Dimension Entertainment can freely operate its own productions, and the long-term income will definitely exceed a one-time buyout.

Dimension Entertainment has made money from the work "4.6 Billion Ensemble", and it has made a lot of money. It cannot be concealed.

Many companies in the industry know it, and even they have obtained a lot of reliable research data.

There is a lot of envy and jealousy, and even more jealousy.

However, what I have to be convinced is that the things made by other dimension entertainment are really awesome.

The dreamy image was originally the underwater world, the images of those exquisite primitive marine creatures, and the evolutionary journey of the imaginative 'Lin'...

Most of the peers are convinced by this. People with a discerning eye can tell at a glance that something of this level is made by a master, and it is made with a lot of investment.

The duel between the ferocious Deng's fish and Lin's Leviathan aircraft carrier was quite interesting.

And when the protagonist "Lin" came ashore, the construction of virgin forests and ancient deserts was full of a romantic and realistic atmosphere.

The point is, not to mention modeling and art styles, the light and shadow effects and excellent physical collision effects make the whole film look very textured. This point, especially after the evolution of creatures on land, is particularly impressive.

The pounce and hunt of the huge Meganeurus is swift and violent, with an excellent sense of attack, unlike some inferior 3D works, the realism of biting down is particularly illusory.

These are all things that cost money.

In the industry, there is almost a consensus on "Evolutionary 4.6 Billion Ensemble": this is the top production level among domestic 3D animation works.

Not convinced.

However, in this world, there is a disease called pink eye disease.

This disease is currently spreading in the company 'Ming Animation', especially their boss, Mr. Han Kelin, who is dying.

He still remembers the dismissive expression on the face of the female representative of Dimension Entertainment in the "Popular Science Animation Competition".

They were robbed of the first place, and then their work "The Great Scientist Says" failed to get on a particularly good platform, and could only be broadcast on the sub-channel of the provincial TV station, and the application for domestic subsidies did not apply to a good level.

Calculated in this way, "The Great Scientist Says", a work that Han Kelin hoped to make a lot of money, has just returned its capital and made a small profit in the end.

As usual, that's fine; but compared to "The 4.6 Billion Ensemble of Evolution", which can attract tens of millions of dollars, it is far worse.

Han Kelin was very upset and very angry.

He has already fired several times at the company's meeting.

And recently, he gave the company's people in charge of media operations an order to write black articles to discredit the work "4.6 Billion" from all angles.

The students who received this instruction felt very miserable.

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There will be a public chapter in the evening, and then it will be put on the shelves at twelve o'clock at night, please order first!