The Greatest Showman

1035 Reluctantly Stranded

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Missed, this is one of Hollywood's main themes.

Every year, Hollywood and the worldwide film industry will put thousands of works into production. Excellent directors, excellent scripts, and excellent actors, each work is full of confidence and expectations in the preparatory stage. Full and aspirational.

But the problem is that an actor is inexperienced and can only appear in one work at a time, which also means that they will inevitably miss other excellent works.

In the 1960s and 1970s, in the Hollywood film industry, the phenomenon of rolling scenes was not uncommon; even now, top actors appear in several different crews at the same time, and play the leading role, which is not very common, but it exists objectively.

But in Renly's view, starring in two works at the same time is irresponsible for the crew, for the performance, and for the characters.

Because the mood, state and style of the two different works are completely different, even the commercial popcorn movie is no exception. When an actor appears on two sets at the same time, not only does he need to face the crisis of precision, but also the arrangement of schedules, the cooperation of crew members, etc. This is a serious problem, which will eventually lead to a decline in the quality of characters and works.

Therefore, it is inevitable to miss and pass by.

In the face of the sincere Coen brothers, Renly also showed his sincerity, patiently explained all the ins and outs, and sincerely expressed his embarrassment, "To be honest, after the brief exchange just now, I also think that I am The best candidate for this work.”

The strong self-confidence revealed in the smile shows Renly's professional quality as an actor, and he has gradually transformed into a real professional actor compared with the expectant newcomer during the "Pacific War".

Ethan couldn't help but smile, nodding lightly in approval; but Joel still looked so ugly, couldn't even smile, looked at Renly with sad eyes, refusing to express any opinion.

"I want to say, please wait for my schedule and don't give this role to others, because I am the best choice. But, I can't be so selfish. So, I have to refuse, at this moment, I am more than You have to be even more sad." Renly's smile was stained with helplessness, and he did not hide his embarrassment and regret.

Ethan watched Renly's gaze quietly, those dark brown eyes neither dodging nor hiding, showing all the emotions calmly, and the faint sigh made him feel the same way.

Interestingly, it is precisely because of this look that Ethan's mind has outlined the image of the hero of the movie. It's like a sketch. The outline of the eyes is outlined when the pen is written, and then the lines are filled bit by bit, gradually depicting the entire image, and finally giving life to the image.

On Renly's body, Ethan can even see the specific picture of the movie: he just sat quietly on a chair in the cafe, his eyes looked into the distance, faintly fascinated, and a shimmer of light flowed from the bottom of his eyes, Lonely and bitter, but with a slight blink of an eye, those emotions disappeared like butterflies fluttering with wings, leaving only a single figure, sitting lonely and silent.

The sincerity, perception, purity and simplicity in the depths of my heart have gradually become vicissitudes of life in the long river of time.

There was an urge in my head that Ethan wanted to make a movie, a movie called "inside-renly-hall", not a biographical documentary, but a film called Renly-Hall A down-and-out folk singer, in Greenwich Village in the 1960s, doing nothing, penniless, chasing dreams, but can't see where they are.

The movie they originally conceived, really evolved into a reality in Renly.

"Is there no way?" Joel's unwilling words rang in his ears, still struggling with reluctance in his expression, "Can't you spare some time? Or...or , uh, adjust the schedule?" But after speaking, without answering, Joel hugged his head in annoyance, "God, why is this happening? Hell!"

Scratching his head vigorously, messing up his curly hair, Joel lowered his head deeply, then slammed his head up, "Why don't we wait for your schedule..." However, the words could not continue, he turned his head Looking at Ethan, there was deep helplessness in his eyes.

First "Les Miserables", then "Gravity", Renly's schedule can't be determined at all, even if he waits, he doesn't know when he will wait, just like waiting for Godot, waiting for an uncertain future . There are too many variables in this process.

In Hollywood, the establishment, execution, operation, and completion of any film project requires timing. If the moment is missed, everything will become unknown.

The 2001 classic "Training Day" was actually set up as early as 1997, but because the performance schedules of Samuel Jackson and Matt Damon could not be matched, they had to be postponed and waited.

This wait is more than three years, the director has changed, the script has changed, the actors have also changed, the entire crew has been reshuffled, almost beyond recognition, and finally Denzel Washington and Ethan Hawke starred in this work , the former also won the Oscar winner statuette for his superb performance.

Three full years of waiting, but that's commonplace in Hollywood. It is not uncommon to wait ten, fifteen years, or even never see the light of day after missing the opportunity.

The original "Earth

For the "Gravity" project, Alfonso Cuaron said despite his disregard and moth to the flame that he was willing to wait for Renly's schedule, no matter how long. The naivety of smelling things outside the window, he doesn't understand the operating rules of Hollywood at all.

Now, the Coen brothers, who came from the independent field but established themselves in the mainstream market, are much more sophisticated and understand that they cannot put the entire project on hold just to wait for a Renly. It's not a question of who is right or who is wrong. Both Alfonso and the Coen brothers made the right decisions, and they both need to bear the consequences for their decisions.

Joel turned his head to look at Ethan, there was helpless loss in his eyes, it was hard to speak, although he didn't speak, his eyes couldn't understand it any more: Is there no other way? Are we just giving up?

Ethan noticed his brother's gaze, turned his head, pursed his lips and pulled out a smile in response; then he looked at Renly again.

Only after the real face-to-face contact did the unique temperament of Renly become real, making people ignore his age and only pay attention to this actor, and couldn't help but want to dig more information and more about him. Potential: At this point, even if it's just sitting quietly, those eyes are telling a story.

For the first time ever, Ethan hopes to work with Renly on a production, and if it's the one that's in the works right now, that would be great.

If possible, Ethan also wants to be self-willed, putting down the entire project and the entire crew regardless, just to wait for a Renly until the cooperation is reached. But he can't.

There are thousands of actors in Hollywood, and no one is indispensable. Even if the Coen brothers decided that Renly is the most suitable candidate, there are still countless choices outside of Renly. They should jump out of the box, broaden their horizons, and think. more possibilities.

Reason makes an accurate judgment, but emotion is still difficult to accept.

Looking at Renly with regret in his eyes, Ethan laughed, full of helplessness; however, Ethan also knew that Joel, who was emotional, was unwilling to give up, so he had to stand up and make an appropriate decision.

"You know, you are our first choice, and at this stage, your only choice, right?" Ethan said sincerely.

The smile at the corner of Renly's mouth rose slightly, "It's my honor." Instead of being modest, he accepted the praise calmly.

"It's very important," Ethan said affirmatively. "It's a pity that we didn't take into account the scheduling issue. We ignored such an obvious thing. This is a mistake." Recently, everyone has been paying attention. Renly's next work is moving, but obviously, Alfonso Cuaron has already taken the lead. "But... life has to go on after all, there are always accidents, or about to happen."

Ethan spread his hands and looked relieved, which made people think of the dark humor in works such as "Frozen" and "Murder of Green Toes".

Renly couldn't help but smile.

"Just now, you mentioned George Slender, that's the name, right? And Pioneer Village? Why do I find these names so familiar, can you remind me?" Ethan didn't continue to dwell on the same question. Instead, he brought up another topic of interest to him and continued the conversation.

"Drunken Country Ballads" and Renly-Hall, just missed it, regret and embarrassment, but can't change after all. A step slower is a step slower, and the timing has not been able to step on the correct node.

"The Pioneer Village is in Greenwich Village, it's a jazz bar..." Renly understood the meaning of Ethan's words in an instant, followed the topic and took the initiative to talk about Stanley-Charson and His jazz dream stubbornly carved out a world of his own in the steel forest of New York.

However, Joel, who was sitting next to him, was sullen, with his hands folded in front of his chest, leaning heavily against the back of the chair, refusing to speak, refusing to communicate, falling into his own thoughts, extreme excitement to extreme indifference, that kind of icy fire. The extreme contrast between the two heavens is really too obvious, but it reveals a childishness.

The conversation in the carriage continued, and after the ups and downs of passion and emotion, the atmosphere began to become harmonious. Even though this cooperation unfortunately failed to be reached, the two sides unexpectedly made friends - at least Ethan and Renly So it was; the van galloped smoothly and quickly toward JFK, fading into the surging traffic on the road.

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