The Greatest Showman

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The New York Times, "If anyone is still wondering why Renly Hall can be the youngest Oscar winner in history? Then make sure to come to Broadway and watch the adaptation of 'Les Miserables.' The young actor's The performance is delicate and powerful, tenacious and turbulent, there is no doubt that he is the leader of the younger generation of the Y generation!"

"The New Yorker", "The charm of the performance and the tension of the drama have been vividly expressed on the Broadway stage. The six-hour performance still makes people feel reluctant and unable to extricate themselves, rather than boring and feeling on pins and needles. , Renly Hall managed to do it."

"Wall Street Journal", "For the new generation of young people, even movies have gradually begun to recede to the Internet, and Broadway is an old thing. But if the younger generation is interested in Broadway as an art form, then' Les Misérables is certainly off to a good and excellent start, not only because of Renly Hall's top-notch performances in it, but also because of the familiar story and imposing backdrop that truly presents a piece of history and an era. The whole picture."

People magazine, "The most theater-worthy play of the millennium, 'Les Miserables.'"

"Chicago Tribune," "John Codd gives a deeper meaning to this familiar story; Renly Hall gives a more vivid interpretation of those meanings."

The Seattle Post, "Please step into the Richard Rogers Theater for every audience member! This will be the best decision this summer."

"New York Post", "If you need a reason to come to Broadway, then Renly Hall is the best answer; if you need a window into the theater, then Renly Hall will also be the best answer. Obviously, no one can deny Renly Hall's charm, especially when he's on stage with his sturdy chest."

...Wait, in the midst of the praise, the style of painting seems to be a little wrong all of a sudden.

However, this is the style of the "New York Post". Compared with the "New York Times", it is less serious and dull, more witty and lighthearted, and occasionally there are some ridicules. Of course, this is only relative.

By the time John Codd's version of "Les Miserables" hit Broadway, the West End was already well known to rave reviews, and it was an award-winning touring production; Later, when he published his professional remarks for the first time, it still caused an exclamation.

The real zero-discrimination works, and not "eighty points" zero-discrimination, but "ninety" or even "ninety-five" zero-discrimination works, vigorously pushed the reputation of "Les Miserables" to peak.

Everyone knows that drama critics are undoubtedly harsh, cunning and critical. They never care about top superstars and super big names. They are outspoken, sharp in words, and full of firepower; but what people don't understand is that professional drama critics They are also dedicated and dedicated, for the drama industry they love, for the dying drama industry, they love so much, and they love it deeply.

Therefore, for those excellent and excellent works, drama critics will never be stingy with their own praise. If they can, they are even willing to stand at the door of the theater and take the trouble to tell everyone in the audience how good and how worthwhile the play is.

In this way, they hope to continue the vitality of drama and survive in this fast food era.

This time, "Les Miserables" was treated like that.

For New York drama critics, the only regret is that, for the six-hour period, for young American millennials who lack cultural precipitation and quality background, they will not even want to enter the theater and refuse to accept the six-hour period. Hours of torture, even if this is a masterpiece.

Under the influence of fast food era and Internet culture, today's young generation is gradually losing patience. This is a worldwide issue. But in comparison, Europe's cultural heritage is still deeper, so "Les Miserables" has achieved great success in London and infected young people; in the United States, spoiled by the bombing of Hollywood popcorn, But there is no such precipitation.

This is a pity, but drama critics have also admitted that this pity has just made "Les Miserables" excellent and outstanding, and the magnificent and magnificent background is eloquently told. This is like "Lawrence of Arabia" and "Ben-Hur" back then. For such epic works, the former is 216 minutes and the latter is 212 minutes. Sufficient foreshadowing and connotation can make the work successful. logo.

Of course, the same goes for the "Lord of the Rings" series in the twenty-first century.

As a result, the entire New York drama critics are in a frenzy. The rave reviews, really rave reviews, even far beyond imagination, those calm and low-key drama critics, one by one, stood up one after another, couldn't wait to send praise, and hoarsely called the audience to enter the theater and appreciate this drama. A rare masterpiece.

Even if people had already prepared their minds for a long time, they were still stunned to witness such a frenzy with their own eyes.

For Renly, the critics are full of praise.

This young actor, who is about to turn 23 years old, bears the halo of the youngest Oscar winner in history. He can choose any Hollywood production to star in, but he chose London's West End and Broadway, which took half a year. Continuing to polish oneself on the theater stage, this dedication and focus has won the whole theater industry's praise

Approved.

What's more, the solid acting skills, excellent stage ability, and delicate rhythm control really showed the ability and talent as an actor, and re-endowed the character of Jean Valjean with a unique charm, with absolute strength. Conquered the critical eyes of critics. This is undoubtedly awe-inspiring.

Of course, by virtue of his personal reputation, Renly has successfully created a surging crowd on Broadway, once again let people see the glory of the peak period, and even hope to promote the recovery of the entire theater industry. This is definitely a breakthrough for drama critics.

Rumor has it that everyone in New York's circle of drama critics has watched at least five episodes of "Les Miserables," which is the minimum, not the average.

Every critic is joining the wave in his own way; at the same time, they are also mulling over the play by watching it over and over, hoping that John Codd and Renly Hall can Do better.

"Les Miserables" became the hottest spot in the whole of New York, not just John and Renly, but also other young actors on the same show, whether it was the famous Tom Holland, or the fledgling Joe Alwyn , they have won a lot of attention, and drama critics have examined these young actors from a more detailed and in-depth perspective, and paid attention to their future prospects.

From London to New York, the craze continues unabated, and even beyond continental North America, a more mature business model, and Renly's more entrenched market appeal, has succeeded in making Les Miserables bigger and longer. Further waves.

Three months, a season, sounds extremely long, but when you are in it, you can only feel the passage of time, and before you can enjoy it carefully, the Broadway performance of "Les Miserables" has come to an end.

There were differences throughout the season, with Renly's closing performance as a watershed.

In the past two months, the Richard Rogers Theater has ushered in a surging and turbulent scene, which has never been seen since the new century, and a real ticket is hard to find. Even the VIP box is like this. From the first day of the premiere night to the last day of the closing performance, the entire theater has reached 100% attendance. People can't help but joke. A place in the VIP box has become a measure of New York's high society. the latest standard.

In the month after that, the boom at the Richard Rogers Theatre quickly subsided. In just the show after Renly finished the show, the attendance rate dropped to 80%, showing a cliff. type of fall. This is obviously not good news for the theater, but it also confirms a point of view: people are here for Renly, which once again proves Renly's appeal.

After that, the attendance rate further declined. When all the performances officially ended, the average attendance rate remained at about 70%, with some lows and some recoveries. Overall, the box office trend still exceeded expectations. More than the inner expectations.

This also verified the predictions of professionals in London and New York: after the curiosity and impulse brought by Renly's personal appeal, the aftermath of the impact on the theater industry still exists, and it will more or less re-drive the progress of the industry. But what height can be achieved depends on the quality of subsequent works.

It's been a long and difficult journey, but at least they've taken the first step. Like "Don Quixote" and ballads.

As a result, the Almeida Theater and the Richard Rogers Theater both issued official announcements, officially announcing that "Les Miserables" will stay in the theater and continue to perform, using a new cast lineup, and John Codd will serve as a guest director. He is also a producer to ensure the quality of the work; in addition, Renly Hall is also named a co-producer and will be responsible for the casting and training of actors.

John Codd's version of "Les Miserables" will run for at least a year at the Almeida Theatre and six months at the Richard Rogers Theatre. Whether it will continue to be staged in the follow-up, or even tour in other cities around the world, we will wait and see.

It's an improvement, a huge improvement, for the theater industry, for John and Renly.

And, for fans of Renly likes, the same is true.

Because, after ending an eight-month drama career, Renly finally officially announced that he is about to return to the big screen and start the shooting and production of new works.

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