The Greatest Showman

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"After the premiere yesterday, I chatted with the editor-in-chief of the French 'Cinema Live', and he said that this was Lanthimos' most acceptable and his best film, and I disagreed, and we had a heated argument as a result. Obviously, I still prefer Lanthimos from the 'Dogtooth' era."

"I agree with that sentence: it is the most acceptable to the public. Because Lanthimos has repeatedly explained the rules of the entire dystopian world structure, it is indeed easy for the audience to accept."

...

"The response from North American journalists has been generally positive. I met a Canadian journalist who said the humorous effect was full of surprises and he was very hopeful of winning the award."

"Well, me too, the 'Variety' reporter even said that the first part was a bit luis-bunuel, and it was excellent; truffaut) '451 degrees Fahrenheit, but a little less stable."

"What? This is too exaggerated, right? Both Buñuel and Truffaut are out? It's ridiculous! I think it's probably Renly's impression score, and the media are obviously willing to be more positive."

"It's fair to say, but I think Renly's casting makes those people even more demanding."

...

"I've talked to at least five French journalists, and they're all close to each other. They like the first part, but the second part is a little bit tired. The ending still relies on Renly, which should be the mainstream view in France."

"The editor-in-chief of 'Independent Telegram' directly gave a high score of 'a-', saying it was the biggest surprise so far in Cannes this year. I even began to doubt whether the American independent film circle has reached a consensus."

"Oh? You mean, you think they're favoring Renly?"

"No, that's not what I meant, please don't twist my point. I mean, this work deserves credit, but 'a-'? Isn't that an exaggeration?"

"...that's what I mean."

"Well, that's what it means. I just thought, 'b+' might be fine, but 'a-' is too much."

"Then do you think the Coen brothers would like it?"

...

Quietly, chattering.

The reporters who were waiting in the hall of the villa could not hold back their excitement and curiosity. They began to exchange the opinions they received during their stay in Cannes, positive and negative, positive and negative, all kinds of opinions. All are surging, and you can feel the unparalleled heat of "lobster" from the side.

From yesterday to today, the debate on "lobster" has still not been able to find a clear context, but has become more and more intense with the advancement of time. It seems that everyone is thinking more and more complicated, and the indescribable fuzzy emotions are also It has spread all the way and has not been able to be unified yet.

Even the media reporters and editors-in-chief of major professional magazines are watching and discussing each other, like testing the water temperature, observing the wind direction of the "lobster".

Now, all eyes are projected towards the Cannes Film Festival, and I am curious about how the ten most representative and authoritative media view this work; further, what is the prospect of this work in this year's Cannes? Will it continue Renly's consistent strong performance?

Unconsciously, the focus of attention gathered.

However, Renly is still as stable as a mountain here? Both Bradley and Gavin strongly doubt that Oggs and the rest of the crew can be so calm: standing on the cusp of controversy is definitely not so easy, the ubiquitous sight and sound is stress; Bad reviews have nothing to do, just a sense of oppression brought about by the focus of attention, which can create urgency and anxiety invisibly.

"It's a good thing."

Is this Renly's answer? This seems too simple, doesn't it?

Seemingly aware of Bradley and Gavin's surprised and questioning gazes, Renly chuckled and had to continue explaining:

"I think this should be the purpose of Oggs. You know, throw a topic, complete the interpretation in his way, and leave the rest to the audience for everyone to recall. The more heated the discussion, the more The more it shows that Oggs' goal has been achieved, if it is all one-sided praise, it will be boring." Renly shrugged, "I guess the current situation is the best praise for the movie. "

Having said that, just like his own children, every director, actor or screenwriter always hopes that his work can be recognized.

"Renly, haven't you ever been worried about the reviews of your own works?" Gavin asked curiously - after two years of blank, some things seem to have begun to blur, and the questions that were never clear at the beginning are now flooding again. on the head.

"Is this the start of the interview? Or is it a side chat?" Ren Li did not answer, but raised his eyebrows and asked curiously.

Gavin was slightly stunned, and Bradley followed, "What's the difference?"

"No, there's no difference, it's just that I need to wear a mask." Renly joked to himself, making Bradley laugh, and Gavin even more relaxed.

Renly's lighthearted and witty let Gavin find a familiar rhythm again, and the nervousness eased unconsciously, and it seemed that he had returned to the familiar time again.

Renly didn't pause either, then replied, "Care and worry.

Heart, that's for sure. After all, this is my work, a work that has been carefully selected and put into production, and I look forward to seeing your feedback. Rather than worrying about good reviews and bad reviews, it’s better to care about all the reviews. "

"It's been the same to this day."

"If someone criticizes my work, even if I know that the other person is right, I will still think about how to refute it; similarly, if someone praises, I will think about which parts are true and can continue to develop or improve. And so on. Wait."

"It's not so much a debate about a high or low, but a process of self-reflection, because every work is a new beginning and challenge, and there are bound to be many uncertainties in the process of trying, and it may not be successful every time. There may be ups and downs, and I need to calm down and look at the work myself.”

Although he was talking about a serious topic, Renly always kept a smile on his face, which made Bradley take the initiative to intervene. After you come back to your senses, you will silently examine yourself, is that right?"

"Yeah, that's it." Renly laughed cheerfully, "I cherish every opportunity to exchange feedback. I still remember the first time I attended the Sundance Film Festival, a news comment could decide the whole day. The ups and downs are like a roller coaster.”

"Not at all." Gavin shook his head in surprise.

Renly's eyes were full of smiles, "If you can see it, then my housekeeper should ask me to practice basic daily etiquette again."

Bradley and Gavin were speechless.

"So how do you deal with these mentalities?" Gavin then asked.

"Calm. Restrained. Introverted. There's no skill. I'll do what you guys do. I'm not a perfect Mr. Clark-Kent." Renly said lightly, "However, with experience and age, I I also gradually realized that many times the negative comments on the Internet are unreasonable and have no context, and if you don’t like it, you can overturn all the efforts of the entire crew with a word of ‘rubbish’.”

"Of course, they have the right to express their emotions; the same; I also have the right to ignore their existence." Renly is still the familiar Renly, "Now, I will still pay attention to those media comments, but I will not be affected by them. My own mood. Trust me, my life can be much easier without these negative influences.”

Gavin also chuckled, "So, do you still read the comments of the professional media?"

"Nathan and Roy read," Renly replied, "but, to be honest, cookie-cutter reviews are losing their charm, and some people think it's an art form, and I think it's worth discussing; and social networking The existence of this has spawned an offshoot of the art form.”

Gavin and Bradley looked at each other, and finally Bradley asked, "...What do you mean?"

"Haha, obviously because of my lack of sleep, I lacked focus, and I jumped a bit. You can't keep up. My mistake, I'm sorry." Renly laughed heartily, "I mean, film criticism is also an art form, Then we should allow it to vary. It includes negative reviews, as well as those that don't make any sense."

Meaningful!

But... wait, how did their initial question start?

"Renly, have you read today's newsletter?" Gavin finally regained the focus of his question.

"Not yet. Nathan hasn't told me the results yet, what? You read an interesting comment?" Renly's eyes brightened.

A small detail, Renly's focus is not "good reviews" or "bad reviews", but "interesting reviews". There are no presets or expectations, and naturally there is no worry. This kind of emotion revealed inadvertently. And attitude is precisely the best expression of Renly's remarks just now.

Gavin pulled out a field journal from his carry-on backpack, "Would you like to read it on the spot?"

"Haha." Renly took the magazine from Gavin, "Why does this feel like a variety show from ten years ago, it has an old-fashioned flavor."

Bradley was also a little surprised that Gavin had brought the field journal directly. It seemed that he had already made preparations. He hoped that Renly would be able to read the field journal on the spot.

"And what about my interview subject?" Bradley protested strongly.

Gavin stared at Bradley with round eyes, looking very nervous.

Renly laughed with ease, "What's the subject of your interview?"

"How do you feel about this comedy performance? What have you gained? Do you want to continue to appear in comedy in the future? After winning the second Oscar at the beginning of the year, your career as an actor has reached a new peak, how do you feel? Do you feel the same as the first time? What's different? What's next? What are your goals? Are you looking forward to breaking out again? Rumour has it that you've been in talks to return to the West End, and there's talk of a comedy movie with Paul Walker, which kind of talk Is that right? Do you have any special thoughts about your career as an actor?"

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