The Greatest Showman

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Sammy couldn't help holding his breath, staring at Renly not far away.

He simply stood there, leaning on the iron rod of the bus stop with his back, bowed his head and rolled a cigarette, without any special movements or any extraneous expressions, just focused on the "business" in his hands. The thin sunshine in New York in the early morning fell cold and chilly on the shoulders, sketching out a touch of alienation and indifference, all the vitality was withdrawing and sinking, calm, but dark tide.

Those eyes drooped down, hidden behind the curtain of eyelashes, making it impossible to capture the true emotions in the eyes. Sammy couldn't help but follow his eyes to the cigarette in his hand. The joints are distinct, vigorous and powerful, and the slender fingertips are pushing thin tobacco, as if they are making the most exquisite handicrafts in the world, and every movement is art.

The road next door was still at the crossroads, and there was a "tututu" engine sound, and then he raised his eyes, calm, those were extremely calm eyes, even too calm, so that the faint. The ripples are barely noticeable. He followed the voice and looked over, his eyes paused for a moment, just for a moment, he seemed to be a little ecstatic, and even the movements of his hands could not help but stop. However, it was fleeting, and immediately, the eyelids drooped down again.

Everything was back to placid calm.

Sammy couldn't tell why, she didn't know what the point of the scene was, or how Renly's performance should be described, and she didn't know the obvious difference between this shot and the previous one, but that kind of thing. Powerful performance aura, but firmly caught the eye. This ability is enough to make Sammy stare with bated breath.

Performance is an art form that can be seen but cannot be touched, felt but cannot be expressed. There is an actor who just sits quietly in a chair, and the simple movements make people unable to take their eyes off, even Fingertips and eyebrows are all a play. This powerful aura gives the whole performance a unique charm.

The sight of Renly in front of him made Sammy feel this shock. She did her best to widen her eyes, lest she miss every detail. Then Sammy saw a figure pass by in front of her. She couldn't help frowning and stared angrily. Then she realized that it was Tony, and Sammy almost bit his tongue.

Betty, who was standing next to her, almost choked on her own saliva. In sight, Tony could be seen crossing the set, walking to the photographer's side, and then took the camera directly from the tripod and carried it on his shoulder. , step by step closer to Renly who was performing.

This, this is not appropriate, right?

Isn't this scene only five seconds long? Isn't this scene the first scene to start? Isn't this scene a transitional scene cut? Wasn't this scene a short shot that swept away? Why did things suddenly change?

It's been about half a minute now, but the shooting isn't over yet? And Tony is not satisfied, he personally carried the camera to capture the close-up? No, it's not a close-up anymore, and Tony has already posted it when he sees it. The close-up has turned into a close-up, and it's still a 360-degree close-up. It doesn't look like a scene at all. Shooting the scene where the male protagonist makes his grand debut, or the scene where the emotion explodes, the situation at the scene is really confusing.

Now, the inherent rhythm of filming has been completely broken. Whether it is Renly or Tony, both of them are free from the shackles of the script and the predetermined track. They just follow their intuition and lead to an unknown direction.

Betty's eyes fell on the unmoved Renly, watching him roll up the cigarette, watching him pick up the cigarette holder, watching him turn and walk towards the teaching building, watching his back gradually drift away. There is no script, performance or frame in her mind, she just can't take her eyes away. On that figure, time seems to stop. It seems to be integrated with the world, but it is actually out of place, as if saw myself.

Betty couldn't help biting her lower lip hard, her eyes uncontrollably showing sadness, and her eyes turned red for no reason. This made her a little embarrassed, she lowered her head in a panic, and then covered her cheeks with her hands. But the suffocation of drowning still lingered, she put down her hands, raised her head again, and looked at Renly, she didn't know why she did it, it was like... it was like on that man, she A sense of security can be found.

So, is that why Tony insisted on Betty as Meredith?

She's not an actress, just a girl who is literally struggling on the edge of pain, just like Meredith. Now, Betty felt Meredith's state, and she was attracted to that man uncontrollably. It was not the chemical reaction of hormones, but the empathy of the world. On him, she smelled the warmth and peace of the harbor. As if... he could understand her pain.

"Ka!" Tony's voice rang from a distance, but in fact, he had followed Renly into the teaching building, and finally stopped in front of the swaying gate. Now all the original plans have been broken, and the crew of the crew all looked at each other in dismay. They don't know what stage the filming has progressed to now, and they don't know how many scenes this is, let alone what to do next.

Tony ignored the confusion of the crew, and didn't even plan to go back to the monitor. He sat down directly on the steps of the door of the teaching building, turned on the camera, and started playback.

The entire crew was left to one side like this, with no instructions for the next step, and no

For further passwords, everyone turned their attention to the drama management. When the director left without permission, the assistant director was responsible for the filming tasks, but the production management was responsible for the operation of the crew.

Jeremy-marks immediately felt a lot of pressure and was overwhelmed, because he had never encountered such a situation before. He also doesn't know where Tony and Renly are now. The most direct way is to go over and ask Tony, but the problem is that now doesn't seem to be the best time

I saw that Renly also came out again, then sat down beside Tony and leaned over to watch the replay. Like high school students, the two gathered together to watch video tapes that are not suitable for children, and then chatted quietly. Their focused and devoted expressions obviously did not allow other people to disturb them.

So Jeremy was also confused.

Jeremy hesitated for a moment, exchanged glances with the other staff members, looked at each other, then looked at the assistant director team, and asked hesitantly, "How about I go... and ask?" This sentence expressed a little confidence No, it is not so much to make a decision, it is better to bite the bullet and use a dead horse as a living horse doctor. But the problem is that no one can respond to his request, even the assistant directors are hesitant.

Jeremy clenched his fists and recalled the situation of the first shooting just now. In the sight of everyone's curiosity, surprise, and speculation, Jeremy seemed to be walking towards the guillotine. Remy heard a fierce argument

"No, no, absolutely not!" This was Renly's firm voice.

"Why not? I need to capture that subtle emotional shift in the eyes. If you just use medium shots and close shots, your performance will almost be lost!"

"Cumbersome! You know what? It's too cumbersome! This scene is just a debut, a transition, and a transition. The audience doesn't need those cumbersome and procrastinating shots, it's just a medium shot, which captures the overall body language, That's enough! As for the details of the performance, watch it as a whole, don't..."

"How can you not! How can you do this, you are an actor, I am the director, you must listen to me! I think this scene must be kept and edited for a fifteen-second scene, there is no problem."

"I tell you, you'll regret it! If the cuts were that long, the pace of my performance would be too slow, didn't you see that? Some of the details just now were a bit too much, and I need to close it again. , if you stretch long distances, it will disrupt the rhythm of the performance of the whole movie. You are not a king/jia/wei, don't use this emotional long shot."

"Who said that! Do you mean that I am not as good as Wang/jia/wei?"

"Yes, that's what I meant."

"..."

"..."

Jeremy only felt his scalp go numb. The two seemed to be fighting a cockfight, tit for tat. He was sweating constantly as he heard the conversation. He couldn't believe it. Generally, Jeremy feels that he is likely to be a cannon fodder.

So, what should he do now? Run away? Or grit your teeth and hit the crater? What will happen next? What if Renly and Tony did fight? What if they took their anger out on him and he became a punching bag?

"You're right." Just when Jeremy was thinking about it, he heard Tony's voice, the conversation changed, and the whole person's arrogance calmed down. Jeremy only felt that his jaw was about to dislocate. What is the situation?

"Yes, you're right. Let's not get too involved in this scene. Just do as you said, use a medium shot, and then switch shots twice, not one shot to the end, just capture Henry's emotions in place. Okay. As for the details, we'll sculpt it later. So, let's do it again? How about it?"

"Okay, then do it again."

"Jeremy, hey, you came just in time, everyone is ready to take place, let's do this scene again. Jeremy?"

"Oh, good, good! I see!"

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