The Greatest Showman

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In early March, Seattle was still cold in winter, especially in the dead of night, when the wind was blowing and it was freezing cold. Even if you just stood outside for a while, you could really feel the blood start to cool down. At this time, it was only eleven o'clock, and the streets were deserted. People were either staying in bars or at home. No one wanted to choose the warm and cold early spring night to come out to party.

However, at this time, the entire crew of "Anti-Cancer Me" was standing outdoors, bustlingly scattered in different parts of the street, shivering with the cold wind blowing. Everyone was gossiping and chatting. From time to time, their eyes were cast in the same direction, and they looked at the situation there from the corner of the eye. After finding that there was still no change, they wanted to say nothing but had no choice but to sigh in the end. He took a breath, looked away, rubbed his arms, jumped his feet, and continued to chat with his friends without a word, trying to keep warm.

Trevor-mcwinney sighed at the palm of his hand, and then rubbed it hard, but the stiff muscles were still cold. In the blood, a little friction doesn't help at all.

"No, we can't wait any longer." Travel shook his head and said gloomily, "I have to remind Renly that we can't continue to drag on. Otherwise, after he enters the performance state, it is estimated that everyone It's going to be freezing."

"Travel." Jonathan Levine stopped.

Travel is the theater manager, responsible for all the scheduling and chores of the crew. This kind of acting style, when encountering such a slow, full-hearted, and unhurried actor like Renly, it is always easy to rub off sparks.

"I know, I know, we should trust Renly." Travel rolled his eyes, his attitude could not have been more obvious, and he was already tired of this set of rhetoric, "but we have been waiting here for thirty Minutes, Jesus-hell-Christ, thirty minutes. Who knows if Oscar's recent trivia has distracted him, and if he's not in a good state, are we going to spend the night here?"

"Yes." Seth Rogen answered in an understatement. It was simple and clear. There was no long-winded reasoning, and there was no reasoned attitude. He made a firm conclusion.

Travel choked, glanced at Seth, then looked at Jonathan again, and immediately understood, and obediently shut his mouth and did not continue arguing. However, those flickering eyes revealed the true thoughts in his heart that he disapproved of.

It's not just Travel, but the atmosphere of the entire crew.

Before that, Renly's performance really convinced everyone, and people really felt the power of acting; but after the Oscars ended, the news about Renly almost disappeared, from the limelight to the bottom, such a huge gap, just Even bystanders are inevitably a little embarrassed, sighing that "Hollywood is changing with each passing day", let alone the person involved?

It just so happened that there were some problems with the shooting in the last few days. Renly seemed to have encountered some bottlenecks. It was not that there was a problem with the shooting, but that Renly spent a lot of time trying to figure out, settle, and think between shootings.

In the past, Renly may only need ten to fifteen minutes of preparation time, but now it needs to be doubled, or even tripled; of course, after the shooting, Renly's performance is still wonderful, and he can always give a good performance. Because of this, the shooting progress was slightly slower, but still within the scope of the plan.

The entire crew was discussing with interest, and while feeling sorry for Renly, it was inevitable that he took it for granted. After all, "he is only twenty-one years old, and how long has it been since he entered Hollywood, this is only his fourth film work." . Those pity, sympathy, understanding, complaining eyes, countless no longer.

This is even the case inside the "Anti-Cancer Me" crew, one can imagine the mainstream mentality in Hollywood at this time.

There was no hesitation in Seth's answer just now, but he was also a little worried in his heart. Renly was really too young. Twenty-one years old was exactly the age of impulsiveness. His emotions and mentality were easily influenced by the outside world, and fluctuations in his state were inevitable. What's more, even Seth felt uneasy about the ins and outs of the Oscar incident, and he took it for granted that Renly would be affected.

Although Seth is also an actor, he has no understanding of Renly's performance, rhythm, content, etc., and naturally he does not understand Renly's current state. What he saw, like the rest of the crew, was a struggling Renly.

But unlike the others, he knew that he should trust Renly. At this moment, what Renly needs most is time and space. In terms of performance, he cannot help. At least, he can escort Renly as a producer. It was the only thing he could do.

Turning his head, Seth met Jonathan's line of sight, and a trace of worry flashed in the eyes of the two of them - today is too abnormal, as Travel said, they had been standing here for more than half an hour in the middle of the night .

However, the two were helpless, except to wait, or wait. Both of them turned their heads, and their eyes fell on Renly again, focused on Renly who was alone.

Renly didn't even notice the sight around him, he was fumbling, fumbling for the details of the performance.

Since the difference in performance between the method school and the experiential school emerged in his mind, before each scene, he would carefully ponder which ones Chu Jiashu and Adam felt.

What was felt by Chu Jiashu but not by Adam, which were felt by Adam but not by Chu Jiashu, which were real emotions, and which were his own virtual substitute emotions.

This is a very interesting thing.

When I was studying acting in the academy before, I captured the delicate changes of emotions, and then presented them with the subtle expressions of the face, and also presented them in my own style and form. This is the basic skill.

It could be the same grief, it could be the loss of a beloved father, it could be the loss of a estranged father, it could be the grief of a five-year-old having his toy stolen, or the grief of a sixteen-year-old losing a game ... The intensity, manner, detail, degree, etc., of these emotions are all different.

Right now Renly was distinguishing how the same emotion manifested differently in Chu Jiashu and Adam. It is like using the basic skills of expressionism to further understand the difference between method school and experience school. These are three different performances. It cannot be said that they are completely different, but they are also very different, but they are all performances in essence. Their similarities and differences give Renly a new experience.

Of course, Renly wasn't even a beginner right now, he just caught a few corners. Even so, he still benefited a lot.

For the layman, Renly's exploration is actually meaningless, because the performances presented on the big screen can't see the earth-shaking difference, and often it may just be a difference in the depth of eyes; For the audience, for the director, and for the screenwriter, it's actually the same thing. What's more, "Anti-Cancer Me" is still a comedy movie - a comedy that doesn't pay much attention to acting skills.

Even fellow actors may not be able to distinguish the impact of these differences in detail.

But for professionals and professional actors, the real significance of such discussions and inspections lies not in the details of the performance, but in the rhythm of the performance, the aura of the performance, the texture of the performance, the delicacy of emotions, There is a difference in depth and richness.

Like top actors like Meryl Streep, Daniel Day-Lewis. If you put their collections together and browse and watch them in one go, you will find that their performances have similar traces, especially some subconscious expression habits. erase.

However, the roles they dedicate have a completely different feeling to the audience. I can't tell a reason, nor can I tell the mode and trajectory of the performance, but I can clearly distinguish the roles.

That's what the show is about.

In other words, Renly is figuring out what it means to perform. Whether it's "Buried Alive" or "Crazy in Love", in fact, Renly uses more of a method to perform, and there is still a long way to go before forming his own style. He has been switching between different performance methods, exploring his own understanding, and then forming his own characteristics and edges, injecting soul into the performance, but he did not expect that the breakthrough would come so quickly and unexpectedly.

Who would have thought that a "Anti-Cancer Me" would bring such a big harvest?

Strictly speaking, the work of "Anti-Cancer Me" itself is not so heavy. What is clever is that the role of this work fits into Renly's own experience, and awakens Renly's own resonance, invisible and invisible. , which created a once-in-a-lifetime opportunity.

Therefore, people always say that the opportunity cannot be lost, and it will never come again. For everyone, the opportunity that belongs to him is different. Arsenic for you, honey for me, this is the truth. Maybe for others, "The Cancer-fighting Me" is just a light comedy, but for Renly, it is a rare moment to break the bottleneck.

He didn't want to miss it, and he won't miss it.

That's why Renly spends more time speculating about the performance before each scene begins. Not the Oscars as others have guessed.

In fact, Renly didn't know anything about the Oscar news. He just learned from Rooney that the history continued on the original track. He didn't know anything about the follow-up news, and he didn't read the specific nomination list.

Not only that, but Andy Rogers kept Nathan Press shut down all the news in order to allow Renly to devote himself to the filming of "The Cancer-fighting Me", leaving an absolutely quiet environment for Renly.

The only thing Renly cared about was the performance.

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